Koshary Min Zamman
2008
Koshary Min Zamman is a mixed-media installation which is based on
notions of social class and the whimsical nature of international politics.
It premiered in solo exhibition in 2006 at the Townhouse Gallery in Cairo
and was performed again in 2008, as part of the Gallery’s participation in
the partnership Museum As Hub at the New Museum in New York.
Koshary is a traditional Egyptian dish made up of pasta, rice, lentils and
onions. The low cost of production has made this meal a staple diet of the
lower classes. Because it is primarily made up of carbohydrates, Koshery
rapidly sates the appetite of the consumer, but leaves him lethargic and
listless almost immediately after eating.
The reference to Min Zamman in the title of the work is two fold. Its direct
translation is from the past which refers to times of old and established
tradition. As such, it is reflective of the international portrayal of Egypt
as a treasure trove of ancient history. Min Zamman is also Egyptian street
slang and means the man. The phrase emphasizes the local familiarity and
dependability of the product while hinting at the perceived patriarchal
nature of Middle Eastern society.
Walk into any koshary restaurant and you are certain to find photographs
of the owner’s family members on the wall and stacks of disposable plastic
bowls emblazoned with the restaurant’s logo for serving the food. In his
installation Koshary Min Zamman, Ayman Ramadan sets up a mock koshary
shop and serves the meal to his audience in his own custom-made
disposable tubs. A central feature of the installation is that, rather than
decorating his shop with pictures of his relatives, Ramadan displays photos
of various political figures taken during inter-government meetings, peace
talks and during publicity shoots. They are shown to be indulging in his
own brand of koshary, Min Zamman. The politicians seem to be quite smug
about their achievements – but do their big words have a similar effect as
the koshary they’ve eaten?
Koshary Min Zamman has been performed and exhibited both at the Townhouse Gallery in Cairo and at the New Museum in New York.
